Buddhist
Kirtan References
Dharmavidya
David Brazier, Pure Land Buddhist teacher: ”It does seem that
traditionally in India there was a strong buddhist tradition of
buddhist music until quite late on. Much of the music which style you
now associate with hinduism, like Hare Krishna chanting, that sort of
tambourine banging: Haa-ree Raa-maa!, that sort of thing was buddhist
originally. It was a buddhist style. As India became hindu rather
than buddhist again, the music continued.”
Fujita
Kotatsu in Genshi Jodo Shiso No Kenkyu about sound use of emotion in
Pure Land Buddhism: ”In Hinduism, the idea of faith is expressed
as bhakti. Bhakti is regarded as the highest path of interface with
the gods and also implies the deepest reverence for gods. On the
other hand, Pure Land prasada differs in that it appears less
emotional and more serene and subtle due to its relation to prajna
(wisdom) and samadhi (concentration).”
Gil
Fronsdal:
“Some
years ago, while walking through the Buddhist temple of Svayambhu in
Kathmandu at the time of a Buddhist festival, I came across a group
of lay people chanting the Triple Refuge (trisarana). While the
taking of refuge is a common practice for Buddhist laity visiting a
temple, I was surprised by the passion and exuberance of the chant as
it was repeated over and over. Accompanied by sitars and tablas, the
Nepalese Buddhists were singing the Sanskrit refuges in the style of
lively Indian devotional music. Having observed the refuges chanted
in American, Japanese, Thai and Burmese temples, I had come to expect
such chanting to be done in a sober, even-minded and tranquil manner.
Instead, the Nepalese swayed back and forth, radiating with joy and
excitement as they continued their devotion. Reflecting on the
disparity between my expectation and the scene in front of me, I
initially interpreted (and discounted) the chanting as being
excessively influenced by (modem) Indian culture. But when I
remembered that Buddhism was bon in India and has survived for 2500
years in Indian culture (if we include Kathmandu within the Indian
cultural sphere), I looked at the scene with keen interest, wondering
what it meant for an Indian to be a Buddhist.” (Gil Fronsdal, 1998
p. 1)
Join Buddhist Kirtan, Buddhist Music at Facebook.
Join Buddhist Kirtan, Buddhist Music at Facebook.