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keskiviikko 11. tammikuuta 2023

Kindness and Softness: The Highest Level of All Arts

 

Kindness and Softness: The Highest Level of All Arts




The way I see it, all arts have three levels of learning. These are: 1. technical learning, 2. technical mastery together with basic training of the mind, and 3. mastery of both the art and the mind.



In the history of East-Asian arts and (zen) artists there are instances of stage 3 that transcends both technique and the self-based mind, and there are lineages that have particularly focused on getting to stage 3 and developed views and ways to get there. This is the realm of zen art or true spiritual art that developed into its own thing in Japan.



It has been made clear by many great masters of martial and fine arts, such as Miyamoto Musashi (17th century) and Yamaoka Tesshu (19th century) that after the initial stages of learning all arts boil down to the mind of the practitioner and that mastery of the art cannot be attained through technique alone. You could say that the art of the mind is the foundational art of all arts which is true because when an artist stops practicing or performing one's art, be it taichi, tea ceremony, running or basketball, one is left with one's body and mind. The art of zen, the art of being is definitely the heart and soul of all arts, even if most artists and athletes are unaware of it.

 


Wang Xizhi


But most artists, including practitioners of traditional arts in East-Asian countries do not know this and have the view that mastery has to do with perfecting particular techniques and forms of one's art. That the whole dimension of mind and its effect on one's artistic performance is so poorly known is quite weird for the fact that we all have minds that affect everything in our lives, including the arts. Interestingly, the past two decades secular mindfulness practices have become popular in the field of professional athletic training but with its practices of attentiveness and relaxation, secular mindfulness is still far from what awakening/s (zen) makes possible and lacks the character development that comes with recognition of oneself as a perfectly wakeful being, or buddha.



The lineage I belong to through Terayama Roshi, originated from the calligrapher saint Wang Xizhi who lived in 4th century China but roshi was a representative of other arts and lineages too, namely rinzai zen-lineage and jikishinkage ryu kenjutsu-lineage of Omori Sogen Roshi. Throughout his life he studied many disciplines of Japan, China and Tibet, and many teachers of various arts came to study with him. Terayama Roshi was a very highly regarded specialist of zen arts in all of Japan. I remember studying calligraphy with Imao Toshio Shihan (8. dan) in a small village in Nagano prefecture who was astounded to learn that I was a student of Terayama Roshi, just to give you an example how famous he was.



Terayama Roshi, despite of him being a high level master and a teacher of masters of their own arts, was a very kind, humble and simple man. I knew him for the last 3 years of his life (when he was 66-69 years old) so I didn't know him when he was younger but I've been told by other students of Omori Roshi that despite of him being somewhat serious and fiery like martial artists usually are when they're less than 40 years of age, he was also very kind and considerate towards others. I have never heard a word of him being rude. He started practicing zen – zen buddhist meditation - when he was a teenager and did so for many decades. Practicing being present tends to mold a person's character but it also refines one's ethics and manners.



I remember once training at Budokan in Tokyo where he demonstrated a particular section of a kenjutsu kata, sword form, to me. I have seen dozens of other aged high ranking martial artists do similar demonstrations to really feel their self-importance in the air. I've seen people's, some of who are very well known teachers, egos getting triggered in similar situations. I never felt that from him which I am sure is because of his training in the art of awakening. He was soft and kind, and also a very realistic person.



Getting triggered is based on insecurity, uncertainty and fear that most often comes from trauma but this whole field, the way how one's mind affects one's level and mastery in the arts, is almost never discussed or if it is, it is superficial and incomplete.



To become a master in any art, one needs to master one's mind or at least have significant degree of clarity in terms of nonduality. One may be physically or artistically talented to be able to run faster, jump higher, punch harder or paint better than others but if the small self is in the mix, from the perspective of zen arts, this is still low quality art.



-Amrita Baba, 11 Jan 23

















perjantai 9. maaliskuuta 2018

When Zen Master Buried His Head in the Sand

When Zen Master Buried
His Head in the Sand



A month ago I read a testimony by someone online (anonymous) where he related his own as well as his friend's experiences with a few Zen buddhist teachers. He narrated, as you can read below, specifically the problem of not having kensho in the case of his friend. I had a private conversation with him and got to know some additional details of the matter, including the lineage and the names of the teachers involved. To my surprise I found out that these teachers come from a lineage whose head teacher had recently written an article about the problem of ”minimizing of kensho and bringing it back in Zen buddhism. After this I had a brief email discussion with the head teacher over email.



Anon wrote: > I attended a retreat a few weeks ago lead by a couple of Zen masters, attended by one other and a rotation of Dharma holders. During a discussion after teisho, one student mentioned that after 4 years of dedicated practice, attending retreats and so on, he still had not had kensho, did not have any insight into the dharma. The fundamental question for him is, "Who am I?" The teachers laughed 'knowingly' but offered literally no help to him, no insight, no instruction. It made me angry... This incident, that someone like that could train with them for 4 years and not even have initial realization, makes me question their competence and whether I should continue to participate in this organization. It seems to me that it is largely a matter of students not receiving appropriate instruction.
The universal formula at this temple is to start everyone interested in awakening through the koan Mu. This has always seemed to me like a strange and inefficient method. Apparently it works for some people, but it is not uncommon to find students who have been working on Mu-koan for years. At what point do you offer a different approach? The only other practices offered are just sitting (jap. shikantaza) and following of breathing.


Kim's comment: From this blog you can find many other examples of people who sought to answer their existential problems through traditional buddhist or hindu practice, with authorised teachers but for one reason or the other could not get the first irreversible insight, or awakening here called by it's Japanese name kensho.
Again, here we have a practitioner who has devoted a notable amount of his time, energy and money to Zen buddhist practice instructed by Zen masters but the practice doesn't work for him. The core of the problem here is that koans are indirect tools of generating awakening (sudden enlightenment) or further purifying the mind (gradual enlightenment). They also require one on one guidance from a teacher and in many cases a lot of time to create ”doubt” about the koan. Doubt could be rendered as interest or yearning to pierce through the koan such as Mu. Due to several reasons, including cultural, it doesn't get much more indirect than this. Find my proper analysis, A Look at Awakening and The Two-Part Formula, from my free Awake! -ebook downloadable from the Open Heart-website.
I am sure the knowing laughter of the teachers was sincere, not meant to cheapen the student. I have heard the same laughter in dharma communities all over the world many times, when someone in similar frustrating situation bursts out to the teacher that they aren't experiencing any shifts despite of sound effort. It's the laughter of common ignorance of teachers and their senior students who do not exactly know how awakening is generated. This is a very widespread problem. By the time one becomes a teacher or a senior student, possibly after more than a decade conditioning into the tradition, they think asking such questions is silly talk of a beginner that can be chuckled at. They get amused because the common and mistaken thought is that one can do something to approach awakening but that it is a folly to think that one could somehow make it happen purposefully. They do not know that practices like this exist. They think that it's such a silly and childish idea, that you can only be amused about it. What is even more concerning is how large crowds of unawakened people who have become habituated to this kind of thinking are equally amused by such questions. However, I think that asking question shows common sense that beginners still have. They have not yet identified with the ways and forms of the tradition and think for themselves.



Anon: > I have done koan training for a couple of years and remain unconvinced that I should continue this practice. I have met teachers who have completed that training who still appear to lack clarity. I talked to one teacher and my heart sank when it occurred to me that, although she had completed the 1000 or so koans of the curriculum and was on her way toward receiving formal transmission, still she had not had realization of emptiness. A few days after having this intuition, she admitted the fact in the course of a dharma talk, but did it in such a way as to suggest that this kind of realization is unimportant. I wonder.



Kim's comment: What was said first, I have heard numerous times before. I have also heard of the poor quality of koan training within American Zen buddhism but I had never heard of someone who had passed most of the koan curriculum without insight. This indicates that something is very wrong with the way koans are taught in this lineage. It is obvious that their way of training has deviated from proper koan training where the student does not pass or graduate a koan without an irreversible shift or kensho. Internet search reveals how John Tarrant Roshi describes his way of teaching: ”I studied and taught Zen in a classical, pretty much Japanese, manner for about 15 years before developing new ways of introducing koans that even people with no experience of meditation can find useful. source To think that a senior student, about to become a teacher has spent many years doing 1000 or more koans, without having an insight, while downplaying ”this kind of realization as unimportant” is a really corrupted state of affairs.
When I studied with Shodo Harada Roshi, who has the custom of putting all the Western Zen teachers and masters practice deep abdominal breathing (jap. susokkan) regardless if they have finished koan training, I heard that the koan training had deteriorated greatly in American Zen but I could never have imagined that it had gone this bad.
As I learned the names of the teachers involved, I realised that I had read a good article by the head teacher of this lineage just a few months earlier. He wrote:



In the Western Zen scene today words like enlightenment, kensho, and satori have been pushed to the background. Any emphasis on the experience of awakening has been minimized... However, that acknowledged, the great project of Zen is nothing less than awakening... Zen without awakening is a hobbled eagle. I suggest if we want Zen to be more than a mindfulness practice that will get us an edge in whatever project we want an edge in, we need to reclaim awakening as the central purpose of the project.”

Revisiting his article, I felt puzzled. It is stated that there is a mission to ”reclaim awakening” in their school but then even extensive training is not getting it done. I wondered, if the head teacher knew about this or possibly other similar situations within his own lineage.

I emailed the ”Roshi” (I shall adress him with this title. This is not John Tarrant Roshi who was mentioned earlier in the text.) where I introduced myself, pasted the quote and asked for his comment in the light of his article. I mentioned I had studied Zen with notable teachers and had been asked to teach myself.

Roshi replied: ”Kensho is a natural part of the human condition. But, koan introspection is a practice, discipline concerned with encouraging the insight, and once encountered to deepen and broaden what it can mean. And that I am part of a project, all heirs in the lineages of Daiun Sogaku Harada, within Soto to reclaim the discipline.”

Receiving his reply, I wondered if he had read and/or understood the issue or whether he already ducked the question, either because he didn't want to discuss the matters of his lineage with a stranger or because he had nothing to say about it. I replied to him stating the facts again that clearly showed that the noble effort of reclaiming kensho in Soto zen didn't seem to be working, not in these cases at least. In the spirit of sharing the dharma, I also let him know that in dzogchen, including Open Heart teachings, there are practices that mechanically produce kensho and included half page instructions of the Two-Part Formula. I was worried he would feel my post to be pushy but at the same time I expected a dharma veteran of 50 years to be able to listen and filter any beneficial information.

Techniques that generate awakening are not known outside traditional dzogchen (doing my best to change that) which is the reason why kensho is viewed mistakenly and even strangely in many traditions. I have presented these faults in the quotes of Zen teachers in this article.

Roshi replied: ”I don't believe there is any universal practice, something applicable to every heart. I personally am content with my disciplines, but thank you for your offer. Please forgive my being blunt. I am not interested in pursuing this conversation any further. Thank you for sharing your concerns.”

I can appreciate how a Zen veteran after a life long training is happy and content in his lineage and it's ways. But like most other Zen buddhist authorities he made a grave misjudgement in making this a matter of belief, instead of a matter of study and exercise. He stated that he does not believe that there would be a practice that would function mechanically and generate kensho for anyone because of his identification with the Zen buddhist method. It's the amused laughter again. Like this he unknowingly chose his own mistaken belief. This is unacceptable for a yogi in any situation.

Having received many strange messages online, it can be that he took my message as another crazy email written by someone who doesn't know what he is talking about, presenting what to him are sheer absurdities. I have gotten many weird emails but I have always read them, especially if they are well written and struck the key points, like my emails to him did.

Perhaps the Roshi read and understood my posts but trusted or hoped that if there were any problems in his Zen school, the system would take care of them, even if his reaction was in direct disharmony with what he was informed. But to be honest, I think he put his head in the sand.

On behalf of all seekers out there, it concerns me greatly that he wasn't listening or if he was, he ducked the issue. In his position as a head of the lineage, he could help a lot of people, while accomplishing the very mission of reclaiming awakening in his Zen school had he better tools. But no is a no and there is nothing anyone can do about it. OK, then. At least I tried.

After this I wrote a note to Open Heart-teachers:

If you meet a practice method or a single technique that is told to work better than some aspect of Open Heart-teachings, you are obliged to look into those teachings. I do not approve that you become negligent because the students have to pay for your attachments. If something better is available, always choose that. The moment you stop being interested and open to learn something new, and hopefully better, is the moment you stop being an Open Heart-teacher.

Obstacles are many.
Mind made, man made.
No other option than to pray
for the lighting to strike.

- Kim, 8th of March 2018







lauantai 30. heinäkuuta 2016

Zazen and Dharma by Kodo Sawaki

Zazen and Dharma

Quotes from Kodo Sawaki,
a representative of Japanese soto zen buddhism

Kim's comment: I have always felt that the simple and often striking teachings of the zen buddhist masters, both from Japanese rinzai- and soto-schools, describe well what spiritual practice is ultimately about. The approach of the soto zen-school is very direct and simple, and therefore often difficult to understand conceptually. What is interesting however, is that the dzogchen-adepts say the same things. However, the greatest difference between zen and dzogchen, I feel, is that the latter uses concepts, techniques and pointing out instructions as tools in going beyond concepts, stages and so on in order for the practitioner to realise the empty nature of mind, while zen doesn't. For this reason the quotes I've gathered below might not be easy to understand. However, I feel, that they give valid advice to one on the path of dharma. At the end, I have also included a recommendation of another soto zen adept to study dzogchen. Perhaps this recommendation was given because skillful theory, mapping and study, together with committed practice, can make a real difference.

People love emotional confusion... Buddha-dharma means not putting yourself at the mercy of emotional confusion. In the world, on the other hand, a big fuss is made over nothing.”

If it’s even the slightest bit personalized, it isn’t pure, unadulterated zazen. We’ve got to practice genuine, pure zazen, without mixing it with gymnastics or satori or anything. When we bring in our personal ideas – even only a little bit – it’s no longer the buddha-dharma.”

In true dharma there’s nothing to gain. In false dharma there’s something to gain.”

The way of buddha means that there is nothing to seek, nothing to find [mushogu-mushotoku]. If there’s something to find, no matter how much we practice, it’s got nothing to do with the buddha-dharma. If there’s nothing to find [mushotoku], that’s the buddha-dharma.”

What’s zazen good for? Absolutely nothing! This “good for nothing” has got to sink into your flesh and bones until you’re truly practicing what’s good for nothing. Until then, your zazen is really good for nothing.”

You say you want to become a better person by doing zazen. Zazen isn’t about learning how to be a person. Zazen is to stop being a person.”

As long as you say zazen is a good thing, something isn’t quite right. Unstained zazen is absolutely nothing special. It isn’t even necessary to be grateful for it... Without knowledge, without consciousness, everything is as it should be. Don’t stain your zazen by saying that you’ve progressed, feel better or have become more confident through zazen.” 
 
We only say, “Things are going well!” when they’re going our way.” 
 
We should simply leave the water of our original nature as it is. But instead we are constantly mucking about with our hands to find out how cold or warm it is. That’s why it gets cloudy.”



If we don’t watch out, we’ll start believing that the buddha-dharma is like climbing up a staircase. But it isn’t like this at all. This very step right now is the one practice which includes all practices, and it is all practices, contained in this one practice.” 

 
If you do something good, you can’t forget you’ve done something good. If you’ve had satori, you get stuck in the awareness of having satori. That’s why it’s better to keep your hands off good deeds and satori. You’ve got to be perfectly open and free. Don’t rest on your laurels!” 
 
Even if I say all of this about the buddha way, ordinary people will still use the buddha-dharma to try and enhance their value as humans.” 
 
You study, you do sports, and you’re fixated on satori and illusion. So that even zazen becomes a marathon for you, with satori as the finish line. Yet because you’re trying to grab it, you’re missing it completely. Only when you stop meddling like this does your original, cosmic nature realize itself.”

You’ve got it backwards if you talk about stages of practice...”

Master Dôgen doesn’t expect anything from us that’s not humanly possible. It’s simply a matter of becoming natural, without empty thoughts or peculiarities. Buddhism in general doesn’t demand anything special from us, only that we become natural. Some verses in the sutras might seem special to us, for example, 

“The white hair between his eyebrows illuminates the 3,000 worlds.” But that’s only a literary symbol for the samadhi that is the king of all samadhis.”

Master Dôgen’s whole life was one uncompromising, penetrating inquiry into himself.”

A bodhisattva is someone who awakens suffering beings. He’s an ordinary person who has the goal “buddha” clearly and decidedly in sight.”

When you talk about Buddha, you’re thinking of something far away that’s got nothing to do with you, and that’s why you’re only running around in circles.”

Ordinary people and buddhas have the same form. Awakening and illusion have the same form.”

You lack peace of mind because you’re running after an idea of total peace of mind. That’s backwards. Be attentive to your mind in each moment, no matter how unpeaceful it might seem to be. Great peace of mind is realized only in the practice within this unpeaceful mind. It arises out of the interplay between peaceful and unpeaceful mind.”

Translation of Kodo Sawaki's teachings by Jesse Haasch and Muho Noelke, found here.



Someone wrote: "My first buddhist teacher was Kobun Chino Roshi*. In one class, someone asked him how to get closer to his lineage or more involved with his lineage. His answer was to look into dzogchen." 
 
*the mentioned Kobun Chino was a student of Kodo Sawaki.